THIS WAY: William Grant Foundation Residency, 2019

When we applied to Bothy Project we intended to spend our week focused on two main things; to experiment more with how we make maps and to see what happens when you spend a prolonged period of time in one place.  Our usual method of map-making involves a lot of research and planning and sees us visiting a predetermined place once or twice.  We naively imagined that spending a whole week in the Cairngorms would result in some more profound knowledge of the area.  We also imagined returning home with a handful of maps all drastically different to anything we'd ever created before.  If we had set out to achieve just these two things, then we may have left feeling like our experiment had failed.  Yet what we left with - the other random lessons we learnt along the way and the unpredicted maps we decide to make - out-weighed the vague ideas we had set out to achieve.

VICTORIA BEESLEY: William Grant Foundation Residency, 2019

I’m five months pregnant. / I’m sitting in my car in a layby on the A9. / There’s steam coming from the engine. / It's raining. / Every time another vehicle drives past my car shakes. / I'm waiting for the AA. / This is not how I imagined my week in the wilderness beginning.

MATT STALKER: Self-Directed Residency, 2016

 Everything is slower here. "In these crannies of the mountains, the mode of supplying elemental needs is still slow, laborious, personal… There is a deep pervasive satisfaction in these simple acts. Whether you give it conscious thought or not, you are touching life, and something within you knows it."  Nan Shepherd, ‘The Living Mountain’

RIC WARREN & SCOTT BROTHERTON: Self-Directed Residency, 2015

The Bothy Sketchbook.  Normally working independently, Scott Brotherton (Lives and works in London) & Ric Warren (lives and works in Glasgow) are both visual artists who predominately exhibit sculptural works and are influenced by the materials, forms and experiences of our urban surroundings, distilled through minimalist artistic sensibilities.  Our collaborative residency at Inshraich Bothy (November 2015) focused on the production and processing of research though drawing and initiated a creative dialogue as we developed artworks for our exhibition ‘Greyfield’ at House for an Art Lover. The exhibition for Glasgow International Festival of Visual Art 2016 presented an installation of new architecturally responsive sculptural works that reflected on the urban environment from the vantage point of the rural landscape, exploring material, spatial and political tensions.

ROB SHERMAN: Residency, 2016

I came to the Bothy on a palanquin of Quorn, wine and Pepto-Bismol, and without a single retainer, to hunt. I had been told that there were many new species as yet unknown to science endemic in the Cairngorms; that they were invitingly slow, and easy for amateurs to track. I had come to pick off individuals for my collection, truss them for display, and to spirit them back down into England.